Archive for October, 2009

A Serious Man…..Movie 167

Tuesday, October 27th, 2009

The Coen Brothers latest, a black comedy set in the Midwest during the late 1960’s, we see the life of university professor Larry Gopnik (Michael Stulbarg) unravel and fall to pieces.  We get an often sad and disheartening message that the entire exercise of life is too often one of futility.  There are so many things outside of our control and life can be filled with pain and disappointment.

Like a lot of things in a Coen Brothers movie, there are things which I didn’t understand.  That is a common theme with many of their films, they don’t explain everything.  Some are left for you to figure out, some are left completely unknown.  That upsets some people, and I can understand that.  In some films it even upsets me.  But, in this film, that degree of the unknown, those bits that are beyond our understanding, the doubts, they all seem to work quite well.  I am sure that by not being Jewish myself there are things I missed as well.

The Coens have made a seriously dark comedy here.  There are some mild laughs and chuckles, but there is so much more emphasis on the black than their is on the comedy.  We see bad things happen to normal people.  It is like real life, and in a way these are probably some of the most real characters the Coen’s have come up with.  There is nothing special about the people in this film, they are just average folk.  And, bad things happen to average folk all the time.  If you are hoping for a quirky dark comedy like “Fargo”, turn elsewhere.  This film will leave you a bit depressed, a bit confused, but, hopefully, satisified with a great piece of cinema.

Now, it is these truly human characters that make the film live and breathe.  I think the acting was done wonderfully.  Generally the acting is something I can depend on in a Coen Brothers film.  Michael Stuhlbarg plays the poor sap of Larry Gopnik so perfectly.   Everyone helped to really bring the story to life.  Of course a large part of that comes from the script and the expert direction of the Coen’s too.

I wasn’t really sure what to expect when I walked into the theater.  I always have this sense of apprehension when I see a Coen Brother’s movie, especially when I haven’t heard anything about it.  This is not going to be one of their more commercially accepted films, and I am glad that they have enough clout that they can make the movies they want, without too much worry about having a blockbuster.  Sure, I’d love to see every Coen brothers movie rake in the dough, but as long as they can continue to make great films, I’ll be happy.  I knew I wouldn’t know everything that was going on, I knew that it would be a little out of left field, a little odd, a little off-putting, a little uncomfortable.  It was all of that and more.  I said eralier that it may leave you depressed, but thinking more on it, it actually makes me feel a little more free.  Free in knowing that I can’t control everything, that things will happen to me no matter what I do.  I need to make the most of what I’ve got, because things outside of my sphere of control can change my life on a whim.  Not the best film they have ever done, but definitely in the top 5, this one gets 4 1/2 Axes.

Zombieland……Movie 166

Saturday, October 10th, 2009

Young Columbus (Jessie Eisenberg) has his rules.  They are rules that have helped him survive the zombie appocalypse that the world has become.  As he is trying to find his way home he runs into Tallahassee (Woody Harelson).  Tallahassee has a much different approach to the undead dilemma, usually involving blunt instruments and lots of ammo.  The pair get conned by Wichita (Emma Stone) and her younger sister Little Rock (Abigail Bresslin).  Eventually the four of them put aside their differences and head west to a supposedly zombie free amusement park in LA.

I was hoping for a fun popcorn flick, a good zombie horror film with a good does of humor and plenty of zombie killin’ action.  I got that and more.  This seems to be the perfect vehicle for Woody Harelson who excels as the violence loving Tallahassee with a secret in his past, and an incredible desire for a Twinkie.  Eisenberg does a good job as the overly neurotic vigin that falls for Wichita.  Both girls do fine jobs as well, and a delightful cameo by Bill Murray pretty much sums up the entire non-zombie cast.

One part that really stood out for me was the opening credits.  It gave a great intro to the film, gave all the credit to the people that are supposed to get it, and gave lots of zombie gore and action.  The opening credits are my favorite part of the movie.  Now that may not sound like a reassuring tidbit, but trust me, the film is really good, the credits are just even better.

Now there are zombie purists out there that will whine and say that these aren’t really zombies.  And, they really aren’t.  It is a virus, mutated from Mad Cow Disease that causes people to have their brains turn to mush and as the film states, “gives them a serious case of the munchies”.  I don’t care about semantics when it comes to stuff like this.  Little bit of general knowledge for anyone that complains about this…..zombies aren’t real, there is no set ecology when it comes to these fictional entities, so get a life and get over your elitish dorky self.

So, all of that aside, this is what I want from a zombie flick.  It has some socio-political commentary, without ever being preachy and overbearing.  There is lots of guts and gore, action, bullets flying everywhere, and mayhem and destruction.  It would rank as one of my favorite zombie flicks, which, truth be told doesn’t say much as there are a lot more crappy zombie flicks than good ones, but still, this one gets a solid 4 Axes from me because it delivered what I expected and a bit more.